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Though all 12 jurors are white men, they are a varied crew. They attempt to sit still around the heavy table at the centre of Allen Moyer's set, but in their passion keep leaping up to pace the room, mop their brows and peer out at an oppressively humid New York day. Relying on their analytic abilities - this is the 1950s, years before fancy forensics determined verdicts - they pore over the details of the case. If Rose's dialogue makes one wish occasionally for the more clipped speed of cop-show patter on today's TV, his story's construction is impeccable. This is thrilling drama.

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(Copyright Financial Times Ltd. 2004. All rights reserved.)
Such is the intensity of America's presidential campaign that almost any play can seem loaded with topical meaning. With Reginald Rose's Twelve Angry Men, a Roundabout Theatre revival, the idea that in 90 minutes one man could persuade 11 fellow jurors, many of them at first dogmatic, of his views in a murder case......

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