Stylistic And Structural Choices In Fires In The Mirror: Crown Heights, Brooklyn And Other Identities
Anna Deavere Smith's unique style of drama in her play Fires in the Mirror: Crown Heights, Brooklyn and Other Identities integrates theatre with journalism in order to bring to life and examine real social and political events. Each scene is created directly from an interview that Smith had held with the character, although Smith arranges the character's words according to her own purposes. She captures the essence of the characters she interviews, distilling their thoughts into a brief scene that provides a separate and reasonable perspective on a particular situation or idea.
Via the stylistic choices made by Smith, the play never depicts the actual accident and the murders and attacks that followed the implications and aftermath are visible within the characters' recollections. John Leonard of New York Magazine says that Smith's juxtaposition of different interview subjects allows the viewer to see "around corners, into recesses" where the social constructs of race, gender, and......
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Approximate Word Count: 1543
Approximate Pages: 7 (250 words per double-spaced page)
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