European Fine Art
Modris Ekstein’s approach to avant-garde culture contrasts the ideas of the French artist Adolph-William Bouguereau. Bourguereau’s view of art was certainly the more accepted standard of fine form whereas Ekstein understood the new changes in art, or the modernist art movement. Ekstein analysis of the avant-garde production of Rites of Spring and Bouguerau’s uplifting painting Return of Spring help to expose the deep contrast and divide between the “academic classical” and the revolutionary modernist art movements. Both of these pieces properly represent both the academic and modernist art movements in Europe in pre-World War I Europe. The Rites of Spring symbolized the importance of the viewer’s perspective. A truly great piece of art, by the guidelines of modern artists, brought the spectator and the work together into art. The work alone was not sufficient. Classical academic art was quite the contrary. The audience's role was only to view the exposition, not......
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