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By Shakespeare¡¦s time, the characteristics of tragedy in drama had been redefined. In the plays of the early Greeks, the tragic hero was a noble man who rose to the heights of success only to be plummeted to defeat and despair by his own tragic flaw, or hamartia. The plot structure in these early tragedies was relatively straightforward; the motive of the dramatist was to elicit pity and terror from the audience through empathy with the tragic hero.
What once had been a relatively simple form was gradually altered by playwrights to allow for more depth in characterization, more flexibility in plot structure, and the element of comic relief. Hamlet¡¦s situation, for example, is considered a tragic one although it differs from the relatively simple plots found in the earlier Greek tragedies. He is a nobleman, revered by his countrymen, who strives to alter the world around him. Ultimately, he must forfeit his own life to see justice done. The plot that unfolds in......

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