Memento
June 28, 2001 | As the usual string of expensive summer blockbusters unspools, with its unpredictable array of commercial triumphs ("The Mummy Returns") and disappointments ("Pearl Harbor"), it should be heartening to film fans that a classic sleeper can still find room in a marketplace filled with bloated extravaganzas nurtured by gray-suited greedheads. For a quick spiritual pick-me-up, consider this: On Monday, the per-screen average for writer/director Christopher Nolan's "Memento" -- a challenging art-house noir made for $5 million and released by a novice distributor after no other company would touch it -- was but $2 less than the per-screen average of "Pearl Harbor," a $200 million mediocrity, whose lavish, flag-wrapped premiere probably cost about the same as "Memento's" entire budget.
"Pearl Harbor" was playing on a lot more screens and making a lot more money, of course, but per-screen average is a good indicator of overall audience enthusiasm for a film. "Pearl Harbor"......
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