A Comparative Study Of The Development Of Ragtime And Dixieland Between 1850 And 1920s
Blues, work songs, ragtime, spirituals, and minstrel songs were, in their own ways, all part of the great "Africanization of American music" that was originated by enslaved Africans in the southern United States. But the greatest of the musical forms developed in this process was jazz--one of the major American contributions to world culture. Each of these forms of music made essential contributions to the development of jazz itself but each, more or less, retained its own integrity and none could be said to have been transformed into jazz. What differentiated Jazz from these earlier styles was the widespread use of improvisation, often by more than one player at a time. Jazz represented a break from Western musical traditions, where the composer wrote a piece of music on paper and the musicians then tried their best to play exactly what was in the score. In a Jazz piece, the song is often just a starting point or frame of reference for the musicians to improvise around. The song......
View the rest of this paper...
Approximate Word Count: 2470
Approximate Pages: 10 (250 words per double-spaced page)
Why should you join Frat Files?
- - It's safe, secure, and private.
- - Instant access to over 100,000 papers. New papers are added hourly.
- - Fast and reliable customer support.
Similar Essays
-
A Comparative Study Of The Development Of Ragtime And Dixieland ...
A Comparative Study of the Development of Ragtime and Dixieland Between
1850 and 1920s. Blues, work songs, ragtime, spirituals, and ...
