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Free Jazz: The Jazz Revolution Of The '60s

Free Jazz: The Jazz Revolution of the '60s

REVISED AND EXPANDED HERE, THIS PIECE ORIGINATED AS AN "ORAL ESSAY" FOR THE COSMOETICA OMNIVERSICA INTERVIEW SERIES

More or less officially unveiled with the first New York appearance of the Ornette Coleman Quartet at the Five Spot Café in the fall of 1959, free jazz (or new black music, space music, new thing, anti-jazz or abstract jazz as it would variously be labeled), gave new dimension to the perennial "where's the melody?" complaint against jazz.

For most of the uninitiated, what the Coleman group presented on its opening night was in fact sheer cacophony.

Four musicians (a saxophonist, trumpeter, bassist and drummer) abruptly began to play—with an apoplectic intensity and at a bone-rattling volume—four simultaneous solos that had no perceptible shared references or point of departure. Even unto themselves the solos, to the extent that they could be isolated as such in the density of sound that was being produced,......


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Approximate Word Count: 2652
Approximate Pages: 11 (250 words per double-spaced page)

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